Computational Approaches in the Transfer of Aesthetic Values from Paintings to Photographs [electronic resource] : Beyond Red, Green and Blue /
By: Zhang, Xiaoyan [author.].
Contributor(s): Constable, Martin [author.] | Chan, Kap Luk [author.] | Yu, Jinze [author.] | Junyan, Wang [author.] | SpringerLink (Online service).
Publisher: Singapore : Springer Singapore : Imprint: Springer, 2018Edition: 1st ed. 2018.Description: XV, 205 p. 148 illus. | Binding - Card Paper |.Content type: text Media type: computer Carrier type: online resourceISBN: 9789811035616.Subject(s): EXTC Engineering
| Signal, Image and Speech Processing | Image Processing and Computer Vision | Computational Science and EngineeringDDC classification: 621.382 Online resources: Click here to access eBook in Springer Nature platform. (Within Campus only.)
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Springer Nature eBookSummary: This book examines paintings using a computational and quantitative approach. Specifically, it compares paintings to photographs, addressing the strengths and limitations of both. Particular aesthetic practices are examined such as the vista, foreground to background organisation and the depth planes. These are analysed using a range of computational approaches and clear observations are made. New generations of image-capture devices such as Google goggles and the light field camera, promise a future in which the formal attributes of a photograph are made available for editing to a degree that has hitherto been the exclusive territory of painting. In this sense paintings and photographs are converging, and it therefore seems an opportune time to study the comparisons between them. In this context, the book includes cutting-edge work examining how some of the aesthetic attributes of a painting can be transferred to a photograph using the latest computational approaches.
This book examines paintings using a computational and quantitative approach. Specifically, it compares paintings to photographs, addressing the strengths and limitations of both. Particular aesthetic practices are examined such as the vista, foreground to background organisation and the depth planes. These are analysed using a range of computational approaches and clear observations are made. New generations of image-capture devices such as Google goggles and the light field camera, promise a future in which the formal attributes of a photograph are made available for editing to a degree that has hitherto been the exclusive territory of painting. In this sense paintings and photographs are converging, and it therefore seems an opportune time to study the comparisons between them. In this context, the book includes cutting-edge work examining how some of the aesthetic attributes of a painting can be transferred to a photograph using the latest computational approaches.
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